Born in St Petersburg, Grigory Sokolov began studying piano when he was five,
attracting early attention from Russian musical circles due to his precocious
and extraordinary talent. At seven, he was admitted to the St Petersburg Music
Academy in Leah Zelikhman's class. In 1966, at the age of sixteen he rose to
prominence in the musical world as one of the most interesting and promising
talents of his generation by winning the First Prize of the Tchaikovsky Competition,
an award granted unanimously by a jury presided by Emil Gilels.
The depth of his musical approach, the width of his repertoire (from Byrd to
Schönberg), the seriousness and originality of his musical intentions,
together with the precision of his performance are praised by the public and
by world critics alike. He is regularly invited to perform in the most prominent
venues in Europe, the United States and Japan. He has appeared in London, Paris,
Vienna, Berlin, Amsterdam, Munich, New York. and worked with the most prestigious
orchestras such as the New York, London and Munich Philharmonic orchestras.
Myung Whun Chung, Neeme Järvi, Herbert Blomstedt, Sakari Oramo, Valery
Gergiev, Trevor Pinnock are among the 200 conductors under whose baton he has
performed.
His discography with Melodya and now Opus 111 also includes live recordings
acclaimed by the press, such as historical recordings of pieces by Bach, Beethoven,
Chopin, Schubert, Brahms, Rachmaninov, Prokofiev. About his recording of The
Art of Fugue with Opus 111, critic Bill Newman describes Sokolov's performance
as full of skill, clarity and rythmic panache. His version of the Diabelli Variations
(Opus 111) is also hailed by the critics.
Grigory Sokolov's performances use the whole spectrum of colours allowed by
the instrument and contrast the slightest nuances of the partition. His talent
associates a volcanic personality with an unmatched musical stature.







